When You Mess with Mother Nature
What me Worry?”
Alfred E.
Neuman from MAD Magazine.
Picture a
quiet but far away corner of the world… a place where wisdom sometimes trails behind ambition,
and where a man—blessed with time, money, and just enough knowledge to be
dangerous—decides that nature could use a little help.
Meet
Thomas Austin, self-appointed architect of the new and improved. A man who
looked at the ancient balance of tooth and nail, root and rain, fire and frost… and concluded
it could be improved with a little adjustment.
But every
adjustment demands correction.
And in the
quiet overgrowth of a world down under, lies a lesson
for the next man with too much time, too much money… and not nearly
enough caution.
“There’s
plenty of room for all of Alaska’s animals — right next to the mashed potatoes.” Sarah Palin
Like
former Alaska governor Sarah Palin, Austin had the same fondness for
animals—particularly rabbits. But there were none in Victoria, so
in 1859 he imported two dozen European cotton tails and released them on his
estate. Hunters have a term for this sort of thing: “put and take.”
Australia
turned out to be a paradise for rabbits—plenty of food, mild winters, and few
natural predators. They multiplied at a staggering pace, spreading across the
continent at nearly 80 sq. miles a year. Within decades, millions became
billions. Vegetation vanished, topsoil eroded, native species were pushed
aside, and farmland suffered. What began as an idea to generate one man’s hunting
opportunities became an ecological catastrophe.
By the
early 20th century, the problem had outgrown simple solutions. Fences stretched
for miles. Poisons were deployed. Nothing worked for long. The rabbits always
came back. Not until the introduction of Rabbit Hemorrhagic Disease Virus
(RHDV) in the 1990s did the population sharply decline—and even then, only
temporarily. Resistance developed. New strains of
viruses must be created.
Today,
billions still roam Australia, and they remain the country’s most destructive
invasive species.
“Crocodiles are easy. They just want to kill and eat you. People are harder. Sometimes they pretend to be your friends first.” Steve Irwin
Apart from “Throw another shrimp on the barbie,” Crocodile Dundee, the occasional nightmare involving great white sharks, and Steven Irwin quotes, Americans don’t give Australia much thought. It’s a place of vague accents, dangerous wildlife, and animals that look like they were designed by folks “under the influence.”
That was my understanding until I asked about the stuffed kangaroo in Wayne’s office.
“That’s a small one—an Eastern Grey ” he said. “About 1.5 meters… sorry—around four feet. The big boys? Five, six feet tall. Two hundred pounds. And they box.”
That got
my attention.
Wayne was an attorney and we just concluded a discussion about a legal mater. Wayne, as I was to learn was a former “gun slinger” —which is not a combination you run into every day.
”Vacation
souvenir?” “In a way, yes,” came
Wayne’s reply. I was on holiday when I saw the wanted poster.”
One of the
proposed solutions to Australia’s rabbit problem was increased hunting. Locals
had little time for it, so the call came out and hunters from New Zealand, the
UK and the US joined in the hunt.
Then in his
early twenties, Wayne answered the request for help from a land as vast as it is forgiving, where everything wants to kill you, where distance is not measured in miles, but in hours, and
water—whether from rivers, rainfall, or hidden underground—is never something
you could count on. It was a place that demanded self-reliance. If something
went wrong, there was no one to call. You handled it yourself.
Sometimes
with a gun.
“I wasn’t
exactly Paladin or Josh Randall,” Wayne told me with a grin, “but close
enough.”
It sounded
like the American frontier—dust, danger, and men who lived by their wits and
their aim.
But this
“Wild West” wasn’t in America.
It was
Australia, in the 1960s.
Wayne had
come on vacation. What he found was a job as a hired gun.
“We worked
in small teams,” Wayne said. “Competition was fierce. And if you weren’t
careful, someone might steal your pelts or horses.”
The work
was hard, the pay uncertain, and the danger very real. He spoke of tense,
sometimes violent confrontations in remote stretches of the Outback—places
where law and order were more suggestion than reality.
“At night,
we kept a big fire going,” he said. “Two men on guard at all times, four-hour
shifts. Nobody slept through a watch. We all carried sidearms, and there
was always a shotgun or rifle within reach. It wasn’t optional.”
He paused,
then added with a slight smile, “There were outlaws on the Outback.”
It sounded
like something straight out of Have Gun – Will Travel. And in a way, it was.

Wayne:
“Bounty hunting never really had a chance of stopping the rabbit plague in
Australia—the system was flawed from the start. Paying hunters per rabbit did
encourage the, but it could never match the animals’ explosive breeding;
rabbits multiply far faster than people can kill them. On top of that, many
hunters targeted easy, accessible areas, leaving vast regions untouched where
populations continued to surge. Worse still, the bounty system sometimes
invited dishonest practices, like turning in the same carcasses more than once.
In the end, it was just another band-aide on a wound that refused to heal.”
And
Australia has company.
In 1934, a
German estate-owner named Wilhelm von Berlepsch released raccoons into the forests
near Kassel, hoping to go "Coon Hunting". A decade later, during the upheaval of
World War II, fur farms were abandoned and more raccoons escaped—or were set
free.
Germany,
it turned out, was just as accommodating as Australia had been. With plentiful
food, few predators, and a favorable climate, the raccoon population
flourished.
Today,
more than a million raccoons roam across Germany and into neighboring
countries. They raid garbage, damage homes, spread disease, and compete with
native wildlife.
Once
again, a small decision echoed across decades.
“Nature
keeps score,” Wayne said, reflecting on his days in the saddle.
"Whoever
attempts to meddle with the natural order may regret it. You don’t mess with
Mother Nature."
As I was
about to leave the office, I paused at the door, caught by the painting Wayne
had mounted on his office wall.
Wayne
said, “That’s an Aboriginal dot painting. The dots aren’t just decoration. In
works like this. A genuine painting carries a hidden meaning—sometimes it even
protects cultural knowledge from outsiders. These paintings can represent
tracks, waterholes, animals, and journeys. You get movement… depth.”
It was
striking. I snapped a quick photo on my phone before saying goodbye.
Then Wayne
added, “Arthur—the Indigenous man who painted it—used to hunt rabbits
with me. Older guy. Knew a lot, though most of it came the hard way. As a boy,
he’d been taken from his family during the Stolen Generations. Government
policy back then—removal, institutions, assimilation. We became mates…
friends.”
Wayne
glanced back at the canvas.
“Arthur
said the main shape is like those S-curve warning signs you see on county
roads. There’s a warning. Adjust your course early—not later. Because once
you’re in the bend, once you’ve disturbed what runs along that path, it’s
already too late. The snake in it—guide and caution, both.”
He paused,
then added quietly, “That warning's not abstract. Arthur painted it out of
experience—chasing rabbits across a homeland that had already been thrown out
of balance. He saw first-hand that what begins without thought rarely ends
without consequence.
Wayne
tapped the frame lightly.
“Follow
its line and you’ll see: nature doesn’t move straight. Read the curves. Respect
the land. Don’t wait for the second turn to realize you should’ve slowed at the
first one. Then it’s too late”
“And one more
thing: Never step on a snake.” Wayne laughed.




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